Showing posts with label minneapolis. Show all posts
Showing posts with label minneapolis. Show all posts

19 January 2014

SOCIAL/BRIEF: Blank Slate

I went to this event in Minneapolis at the Walker Art Center while I was home recently. 


I thought it was a cool collaboration because letterpress printing usually does not happen in a modern art museum. Craft and contemporary art may attract different audiences. Because most of the magic of letterpress printing happens behind the scenes, it can be a fairly opaque process. 

Here, printer Jenni Undis of Lunalux is setting some of the poems that were read at the event in type, and printing small editions of them on a tiny press. Lunalux prepared for the evening by printing the name of the event on the back of each card and numbering them before printing. They also have "live" printing events at their own shop sometimes. 


Here photo corners are being used instead of gauge pins. 


A handful of the editioned prints:


31 December 2013

sign painting film + signage in SLC

It's been a long time. About a semester, in fact. Going back to full-time school in the US has put blogging, correspondence, and pretty much anything that is not graded on hold. :)

So, the news from August: I was lucky to see a screening of The Sign Painter Movie, sponsored by the Salt Lake Film Society. Faythe Levin, one of the directors, was at the event to ask questions -- I learned that she's from Minneapolis! She said that one of the things that inspired the film was meeting sign painters in the twin cities.

If you're reading from Spain, I think there's an upcoming screening in Barcelona.

The film was about the love of a craft and its revival. I think almost everything the sign painters said in the film about why they do what they do could probably also come out of the mouth of someone involved in the revival of any other craft or trade. That's probably why I enjoyed the film so much--the 'why' of painting signs by hand isn't so far from the 'why' of the handmade book.

Craft revival is happening both in the US and in Europe right now, on a big scale ... I think it's a byproduct of digitization, like how industrialization provoked the initial arts and crafts movement. At the turn of the last century, arts and crafts spread from England to the continent and the US. I don't know where the current revival we're seeing originated, but it seems most meta cognizant in the states, where we're making documentaries about it.

Down to business: most of these photos are of downtown Salt Lake City. 
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I noticed this sign for Daynes in one of the glass plate negatives I was cleaning at the lab this summer. The negative dates from 1898, so this sign has been on main street for more than a century. It's obviously been repainted since then. Doesn't it look sharp?


 

Art Deco eagle on the courthouse. Apparently the glass doors inside the courthouse have some nice hand lettering. 


You see this sign (and the ghost of another sign beneath it) when you take the blue line to Salt Lake Central station.


I love that this tire shop has kept some of its old signage.


This sign is on the south wall of a sandwich shop. The colors are faded but still rich.



The casket building in NE Minneapolis. Home to Leg Up Studio and lots of other great things.





Got to love the serifs here.




19 August 2013

Before I Die in Minnesota

You know I'm happy to be Minnesotan ... and this is just another thing that's got me longing for home.

I've followed Candy Chang's work for a long time ... I really love the spray chalk things she has done.

http://www.thelinemedia.com/devnews/stpaulskywaymural071713.aspx


Photo credit to St. Paul Media Inc.

20 December 2012

Happy Endings

At the book arts conservatory we ended the semester with friends, food, and books (big surprise there). Corks flew in the intaglio studio on Thursday night and large amounts of tortilla, chorizo, and empanada were consumed.


The Spanish are big on what they call the "sobremesa" ... lingering over a meal long after the food is gone.

Bookbinders can be shy (they do, after all, spend more time with paper than with people). But they're definitely not cold! I feel so grateful to have found this corner of the book arts world.

What I'm most grateful for this holiday season: my parents and my brother, my grandparents, and the great Seogvian family I'm going to spend Christmas with. I'm getting a shot at living all my bookish dreams, but I know I wouldn't be here without the support from my family, and all the mentoring that goes on in the book arts community.

Internationally nerdy: we've got paper people from Russia, Peru, Chile, Switzerland, Japan, Spain, and the US.
Homemade sushi from one of the other exchange students
How bookbinders catch the metro: with big rolls of paper.
My first batch of nice books :)
"Holandés" binding
Hand-painted endpapers (by me!) with a softcover binding

More snazzy end papers. 

 This red book has a textured cover and more striped paper inside.

An envelope. 


Also on the note of mentoring, I was thrilled to listen to this story on MPR. John mentored me at Leg Up Studio. The article captures John's generosity, and the great things that are going on at Leg Up, which is a community printmaking studio in NE Minneapolis.


Merry Christmas! ¡Feliz navidad! Or, even more Spanish: ¡Felices fiestas!

07 October 2012

Love Conquers All

Love of printing, that is.

Jon Drew let me work on this press to do a wedding invite job! One of the reasons the book arts community is so great is that experienced printers and binders are so generous with their time in teaching young people and other learners.


This 8x12 C&P was manufactured December of 1895.









01 October 2012

The magic DIY 2 hour Ikea hack cheap $14 worm compost bin


At work yesterday I built this worm composting bin from 8 bricks, 3 Ikea Trofast storage bins, 1 Trofast lid, PVC pipe, caulking, and some bailing wire.

This is truly the lazy man's worm bin. The two hours includes the time it took me to go to the hardware store and buy the bailing wire. Everything else I had on hand.


I started by drawing a 1" grid on the top and middle bins (but not the bottom one) with a sharpie. If you want the sharpie to come off use rubbing alcohol on it after you drill the holes.

I drilled through the plastic with a 3/16" bit. The plastic will melt a bit ... consider ventilation.

I also drilled four holes in each of the three bins an inch from the top, then wrapped wire through them.

The bins can then be stacked on each other, and the top two switched at will.

No oxygen vents are needed for this bin.

For the spigot, I sawed off a bit of 1/2" PVC pipe and sanded the edges. Then I used a really huge drill bit to put a hole in the bottom bin (the one without holes drilled in the bottom).

Angle the pipe before using caulking to seal it. The top of the pipe can rest on the molded plastic groove that allows the bins to stack.


To start the bins, collect kitchen scraps, place in bottom of each layer and add worms. Being mailed stresses the worms out so try to find a local supplier.

In the bin, always strive for a balance of fruit, veggies, brown, and green bits, wet and dry, etc. Variety is key. The worms prefer not to subsist on "bedding" like leaves or newsprint, so if you do use it be sure to include plenty of food as well. As you generate more food scraps, just toss them onto the top layer and switch up the two layers once in a while.

Worms move from the upper levels of the bin to the lower levels, which is another reason to rotate the top two layers occasionally. If at some point most of your worms are in the bottom layer you'll have to fish them out and stick them back in the top layer.

Keep chemicals in the bins to a minimum, as the worms are sensitive to them. In our bins, we only use scraps from organic produce. We don't use newsprint as bedding (try dried leaves instead) as the paper can have acid and bleach in it. We also use rainwater (rather than the treated city tap water) in the bins.


This type of worm bin is geared toward folks who want to primarily use the worms' waste as liquid fertilizer. Put a bucket below your spigot and watch the liquid gold appear. I swear it brings dead plants back to life. It also is a miracle worker that keeps things like tomatoes (above) alive in pots in the winter. Often, yellowing leaves indicate that a plant needs the nutrients it will get from fertilizer ... with your own worm bin, you know exactly what goes into your fertilizer.

We make our compost tea with 1 part worm castings to 3 parts rain water. Use it the day you mix it up and don't let it sit overnight, or it will smell really bad.

To fertilize potted plants, we set them in a plastic bin, douse them with compost tea, and let the extra drain off. The runoff can be reused to fertilize other plants.

If you run out of castings, flush your bin with lukewarm water (too hot or cold will shock the worms) to get more.

This is a very manageable first worm bin. It is deep, holding many food scraps, but not wide, so the worms don't have to travel very far inside the bin to find food or other worms.

Happy composting!

Business cards for a flower shop


Photo credit: Satori

Paper is cream-colored Pescia, from the Wet Paint in St. Paul. The brown stock was salvaged from a friendly recycling bin.






Threaded with twine, these business cards double as enclosure cards for flower arrangements.

Love printing with a deckle.